That Floating Excrement Was Far Too Meaningful! It's the TV Disappointments of the Year.

As we consider the TV landscape of the recent year, a handful of shows stand out not for their excellence, but for their spectacular failures. Ranging from cringe-inducing sequels to bafflingly bad documentaries, here are the programmes that had us scratching our heads or just reaching for the remote.

The 'Sex and the City' Sequel

How to start with this divisive spin-off? Burdened with woeful writing, cringe-inducing arcs (we demand better for Miranda!), and a mere 71 seconds of beloved Samantha, the series fought to find its footing. Briefly, as the final series started, it seemed as if it had finally hit its stride. Then arrived an episode centered on Seema’s natural deodorant. No wonder the showrunner announced this would be the last series. It ended on a bum note; the lingering shot of Miranda’s toilet full of poo was just way too on-the-nose. Yet, viewers undeniably found joy dissecting every single “wtf?” episode. And as Carrie – once again single – danced around her sprawling townhouse to Barry White, who didn’t release a little sob?

All’s Fair

‘Can Kim Kardashian act? Of course she can’t.’

But that was almost the least of this show's problems. The recipient of a very rare zero star assessment, it was hard to know where to begin listing the flaws. The hilariously wooden dialogue? The tedious glorification of wealth and consumption? The seemingly wilful parade of cliches? Acting so bad they felt almost malicious? Let’s just say “all of the above” and forget about this show again. However, a second season has been commissioned, so we’re likely going to have to.

AKA Charlie Sheen

Given the restraining orders, abuse claims and parental shortcomings, it’s fair to say Charlie Sheen has been a troubled figure. Not that you’d really have gleaned it from this multi-part documentary which smirked its way at Sheen’s various bouts of reckless excess while struggling to tell us a single thing we weren't already aware of. Instead, it felt as if this loose cannon was being pandered to, so any sympathy this show might evoke should be reserved for the people who have had to endure proximity with this charismatic but flippant narcissist.

The Iris Affair

Of course we understood it was preposterous from the outset: a thriller about a supercomputer known as Charlie Big Potatoes that could either solve global crises – or annihilate all of humanity. We persevered out of sheer admiration for its leads … but by the end, it felt like even they had stopped bothering. One barely cared when his character died, and the other ultimately hacking Charlie with an axe … in painfully slow-motion. That's what you call giving up the ghost.

MobLand

Dodgy characters convening in empty boxing gyms? The Prodigy’s Firestarter blaring in club scenes? The late 90s called and wants its gangland drama back.

Actually, that is harsh on the gangland dramas of the late 90s. Many look a little dated now, but at least they didn’t endure the ignominy of having to accommodate unconvincing dialects. But there were plenty of other problems. Primarily that it was just profoundly boring; a conflict over drug-selling territory between various London picaresques which felt a bit basic.

With Love, Meghan

Given the extent to which she grinds the gears of the nation’s performatively angry commentators, it’s almost easy to admire the Duchess of Sussex’s various ventures into quaint lifestyle as intentional statements. But then you watch them and are forced to admit that actually, they might have a point. It’s like watching a homeware magazine come to life; a meme for wine o’clock with ideas of grandeur; a parade of snoozing dogs, buzzing beehives, sentimental sayings and forgettable crafting “hacks” you’ll forget instantly. All supported by immense, largely undeserved wealth. Ugh.

Victoria Beckham

There are clearly fascinating things to be discussed about both Victoria Beckham and her journey with career, identity, self-acceptance. But for whatever reason, this documentary series opted not to explore them. Instead, the viewing was like reading a sales brochure. She clearly has good reason to resent what she describes as her “stern” image. But unfortunately, she failed to do herself any favours with this cagey letdown of a series.

The Inheritance

It should have been the next cultural phenomenon – except even more extravagant, with a famous star playing dead and a sharp-tongued personality managing her inheritance. What more could you want? As players battled it out, there was plenty of backstabbing and arguing. But the rules quickly became bewildering: it’s even now too complicated to detail what exactly was happening. Even more disappointingly, we only saw glimpses of the star via filmed videos. The series ended up reeking of a programme that was straining desperately to emulate something far greater than it.

The Lena Dunham Romcom

How does one succeed a show that defined a generation? The expectation was immense for this starry romcom about Jessica, a hopeful New Yorker who arrives in London with a broken heart. The lead actress took her biggest role by the horns and was joyous to watch, embodying Austen levels of romantic ideals. But it was all very glossy and, paradoxically, was not enough. Plus, the abundance of famous cameos involved felt icky.

Mitchell & Webb Are Not Helping

Not even good enough to be ‘uneven’.

Given the smart recruitment of talented younger comics, hopes were high. But unhappily, most of it didn’t land. A recurring sketch was a one-note joke stretched to a husk but repeated in every episode. One star seemed too ready to slip into a familiar ranting mode. The behind-the-scenes sketches, in contrast, simply provoked the idea that they should probably have stayed in there a bit longer.

The Knox Dramatisation

This retelling of the story of Amanda Knox was executive produced by Amanda Knox and pretty much solely presented the viewpoint of Amanda Knox. So, while there probably is an interesting drama to be made about the horrific 2007 murder, this isn’t it. The material needed to be treated sensitively. Instead, the series laboured awkwardly to find the right tone, lumbering from strangely jaunty, slightly mannered farce to inevitably, real-life horror. Twisted? Arguably. A total mess? Absolutely.

The Maths Genius Thriller

We admire the lead actor … but did we buy him playing the most brilliant maths genius in history, a man so smart he’s on the verge of a discovery that could destabilise society? No! This globe-trotting thriller about government agencies spying on – and eliminating – academics frankly got more absurd by the second. Formulaic nonsense.

1000 Men and Me: The Bonnie Blue Story

This uncritical portrait followed the content creator notorious for sexual exploits as she prepared for her biggest challenge yet. What on earth would possess her? What we wanted was way more interrogation of her actual psyche, plus those of the men in the queue. They could at least have spoken to the legendary mum who appeared to haul her son away from the queue. What we got was horrific shots and absolutely no critical analysis of her infamy whatsoever. And to think, the documentary-maker has a young daughter too.

Maria Richards
Maria Richards

Marcus is a seasoned IT consultant with over 15 years of experience in software architecture and cybersecurity, sharing practical advice for tech professionals.